ABOUT THE COMPANY

About

Shen Wei Dance Arts is internationally recognized for its interdisciplinary cross-cultural performances, which have been described as “breathtaking, powerful, and riveting” (The Boston Globe) and celebrated for their “gorgeous visual imagery” (The London Times). Each work unveils an original movement vocabulary combined with elements of film, theater, new media, and visual art.

The company has toured extensively to over 30 countries and 130 cities, performing at such premier festivals and venues as the Venice Biennale, Het Muziektheater, and the Hong Kong New Vision Festival. In the U.S., the company has been presented five times by the Lincoln Center Festival; enjoyed a unique five-year performance residency at the John F. Kennedy Center for the Performing Arts in Washington, DC; and given the first dance performances on the concert stage at Frank Gehry’s Disney Hall in Los Angeles.

Shen Wei’s acclaimed touring repertory includes Folding (2000), Connect Transfer (2004) and the company’s most recent program-length touring work, Limited States (2011). In addition to his touring repertory, Shen Wei is known for his site-specific creations, including his choreographic response to Ernesto Neto’s serpentine art installation, built in the Park Avenue Armory’s Drill Hall (2007) and Connect Transfer II, installed at New York’s historic Judson Memorial Church, using paint-strewn bodies to create traditional ink paintings on a vast canvas used as the dancing floor (2008).

Recently, SWDA was featured at the Edinburgh International Festival, sponsored by the U.S. Embassy in London. Shen Wei has also been commissioned to create a site-specific work within the Maramotti Gallery in Reggio Emilia, Italy, for performances on October 21 and 23, during the company’s fall tour to Italy and Slovenia. Shen Wei is currently the first choreographer to be honored as a Park Avenue Armory Artist in Residence (2010–11). This residency will culminate in the creation of a new work, generously commissioned by the Armory, and the restaging of two of the choreographer’s most renowned pieces, Folding (2000) and Rite of Spring (2003), which will be performed in the Armory’s vast Wade Thompson Drill Hall, capping the company’s 2011 New York Home Season (November 29–December 4).

For its 2012 season, Shen Wei Dance Arts has been selected for New York City Center’s inaugural Choreography Fellowship Program, a new initiative being launched in conjunction with the theater’s reopening season.

Press Quotes

“You felt as if you were seeing the future of dance unfold before you.”

KANSAS CITY STAR

“The dancers—all fiercely virtuosic, starting with Mr. Shen himself—
are often floor based, with movements that recall martial arts, break dancing and Chinese opera.
There are no lifts, no partnering and lots of running.
It’s just dancing and patterns.
But the dancing is brilliant, and the patterns are powerfully compelling.”

NEW YORK TIMES

“Shen Wei’s singular imagination and brilliant stagecraft brings us to strange and wondrous places.”

WASHINGTON POST

“Powerfully theatrical, stylized and emotionally cool,
his productions are fed by both Asian traditions and American experimentation,
but they belong to neither camp.”

WASHINGTON POST

“The visual feasts that he creates, however, are quite apart from anything else that bills itself as dance, at least on this continent.
These are hypnotic works that sweep the viewer along at a pace that can be exquisitely glacial or violently urgent—sometimes both.
They are detailed in the extreme, and yet wholly consuming.”

THE NEW YORK SUN

“A vivid fusion of East and West, of Chinese opera and modern dance informed by the keen eye of a painter...
Limbs slice and slash, often rotating almost backward from fantastically flexible hips and shoulders.
Moments of solitary lyricism and breathtaking suspension contrast
with sections of powerful massed momentum... …riveting.”

BOSTON GLOBE

“Folding is a dignified, restrained and graceful expression of China,
although it is unclear whether this is a past or future world.
It doesn’t matter; it is simply enticing...
The program is an excellent display of modern dance that embraces the grace of classical forms,
held by the firm brush-stroke of elegant composure."

SUNDAY HERALD SUN, AUSTRALIA

“Performers as statues came to life, stepping mere inches.
No matter whether toppling to the floor or bumping into something beside themselves,
their movement spoke volumes with its gorgeous visual imagery.”

THE LONDON TIMES

“The big news concerns Shen Wei‘s reinvention of the dance vocabulary:
the way the movement impetus flows from any point in his dancers’ bodies to any other,
bypassing every convention of dance-as-steps or choreography as a predominantly vertical statement...
Glorious.”

LOS ANGELES TIMES

“We encounter an ethereal, refined—and sometimes unhuman—
space, gestures that invoke the ritual ceremonies of a culture that never was.”

FIDELIO, BUDAPEST

“Every Shen Wei dance feels like a journey to a place for the first time.”

SUNDAY HERALD SUN

“A superb opportunity to enter a rarely seen world,
done to perfection by a true artist of the theater."

NEWS OBSERVER

Toured Venues

2001–2005
Lincoln Center Festival (2003–5) (New York, NY USA)
Kennedy Center for the Performing Arts (Washington, DC USA)
Sydney Arts Festival – Sydney Opera House (Sydney, Australia)
La Biennale di Venezia (Venice, Italy)
Israel Festival (Jerusalem, Israel)
Montpellier Dance Festival (Montpellier, France)
Hamburg Arts Festival (Hamburg, Germany)
Melbourne Arts Festival (Melbourne, Australia)
Centre Cultural de Belem (Lisbon, Spain)
The Esplanade (Singapore)
American Dance Festival (2001–5) (Durham, NC USA)
Guggenheim Works & Process (New York, NY USA)
Het Muziektheater (Amsterdam, Netherlands)
STEPS International Dance Festival #8 (Zurich, Switzerland)
Spoleto Festival USA (Charleston, SC USA)
Holland Dance Festival (Den Hague, Netherlands)
Dorothy Chandler Pavilion, LA Music Center (LA, CA USA)
Jacob’s Pillow Dance Festival (Becket, MA USA)
Cal Performances (Berkeley, CA USA)
Dance Umbrella (London, England)
Movingpoints Festival (Wolfsburg, Germany)
Centre Cultural de Belem (Lisbon, Spain)

2006
New Vision Arts Festival (Hong Kong, China)
International Dance Festival (Dublin, Ireland)
MODAFE Dance Festival (Seoul, South Korea)
Festival Equilibrio—Rome Music Center (Rome, Italy)
Basel International Dance Festival (Basel, Switzerland)
Joyce Theater (New York, NY USA)
American Dance Festival (Durham, NC USA)
Jacob’s Pillow Dance Festival (Becket, MA USA)
Les Grands Ballets Canadiens de Montreal (Montreal, Canada)

2007
Het Muziektheater (Amsterdam, Netherlands)
Lincoln Center Festival (New York, NY USA)
Disney Concert Hall— Music Center (Los Angeles, CA USA)
Spoleto Festival USA (Charleston, SC USA)
Barbican Centre (London, England)
Luminato Festival (Toronto, Canada)
Teatro Central (Seville, Spain)
Festival de Mexico en el Centro Historico (Mexico City, Mexico)
University Musical Society (Ann Arbor, MI USA)
Guggenheim Works & Process (New York, NY USA)
American Dance Festival (Durham, NC USA)
Cal Performances (Berkeley, CA USA)

2008
Mercat de las Flors (Barcelona, Spain)
Kennedy Center for the Performing Arts (Washington, DC USA)
New Zealand International Festival (Wellington, New Zealand)
National Dance Festival (Belgrade, Serbia)
National Dance Theatre (Budapest, Hungary)
American Dance Festival (Durham, NC USA)
Yerba Buena Center for the PA (San Francisco, CA USA)
Judson Memorial Church (New York, NY USA)
Kimmel Center for the Performing Arts (Philadelphia, PA USA)
Guggenheim Works & Process (New York, NY USA)

2009
Equilibrio Festival (Rome, Italy)
Bolzano Dance Festival (Bolzano, Italy)
Ottawa National Arts Centre (Ottawa, Canada)
Park Avenue Armory (New York, NY USA)
American Dance Festival (Durham, NC USA)
Lincoln Center Festival (New York, NY USA)
Guggenheim Museum Rotunda (New York, NY USA)
Esplanade Theatre (Singapore)
Silk Road Festival (Hong Kong, China)
Monaco Dance Forum (Monaco)
Kennedy Center for the Performing Arts (Washington, DC USA)
Rome Music Center (Rome, Italy)

2010
Piccolo Teatro (Milan, Italy)
Teatro Comunale (Modena, Italy)
Gallus Hall (Ljubljana, Slovenia)
Orange County Performing Arts Center (Costa Mesa, CA USA)
Kennedy Center for the Performing Arts (Washington, DC USA)
Il Teatro Regio di Parma (Parma, Italy)
Fabbrica Europa per l'Arte Contemporanea (Florence, Italy)
Israel-Festival (Jerusalem, Israel)
American Dance Festival (Durham, NC USA)
spielzeit´europa (Berlin, Germany)

2011
Bartók National Concert Hall, Palace of Arts (Budapest, Hungary)
Spoleto Festival USA (Charleston, SC USA)
Metropolitan Museum of Art (New York, NY USA)
American Dance Festival (Durham, NC USA)
Edinburgh International Festival (Edinburgh, Scotland)
Fondazione Teatro Grande (Brescia, Italy)
Cankarjev dom, Culture and Congress Centre (Ljublana, Slovenia)
Collezione Maramotti (Reggio Emilia, Italy)
Teatro Municipale Romolo Valli (Reggio Emilia, Italy)
Park Avenue Armory (New York, NY)

2012
UW World Series (Seattle, Washington)

Lead Dancers

Cecily Campbell
— A native of Santa Fe, NM, Cecily holds a BFA from NYU's Tisch School of the Arts. She has had the pleasure of working with Aimee Rials, Kyle Abraham, Andrea Miller, and Moving People Dance Theater, and has performed works by Robert Moses, Dwight Rhoden, and Merce Cunningham. Cecily began working with SWDA in 2007.


Sarah Lisette Chiesa
— Sarah attended North Carolina School of the Arts and SUNY Purchase Conservatory of Dance. She has performed works by Kazuko Hirabyashi, Ayako Kirakake, Kathryn Alter, Sidra Bell, Sue Bernard, Noemie LaFrance, Tania Perez-Salas, Jorge Estava, Steve Cook, Christopher Elam, and Brooke Broussard. Additionally, she has presented her choreography and video installations in Montreal, Venezuela, NYC, and San Francisco. Sarah joined SWDA in 2008.


Evan Copeland
— Born in Framingam, MA, raised in Camp Hill, PA, Evan grew up dancing at the Wevodau Dance Center and loved the oldies! He continued his training at NYU's Tisch School of the Arts where he received his BFA in Dance and briefly studied abroad at the Salzburg Experimental Acadamy of Dance (SEAD). Evan went on to work with Sean Curran Company, and has also worked with Kyle Abraham / Abraham.In.Motion, Wendy Blum, Stephen Koplowitz, Brook Notary, and Elke Rindfleisch. He is a member of the Circle Rules Football Federation, created by Greg Manley. Evan began working with SWDA in 2008.


Andrew Cowan
— Born in Southern California, Andrew received his professional training at the prestigious Idyllwild Arts Academy. Andrew continued his pursuits at NYU's Tisch School of the Arts, where he received a BFA in Dance. Andrew went on to perform with BareBones Dance in Birmingham, England and has collaborated with various choreographers in the greater New York metropolitan area. In addition to his work with SWDA, Andrew currently dances with String Theory Productions (LA) and BODYTRAFFIC (LA). Andrew has collaborated on the creation of world premier performances with BareBones, BODYTRAFFIC (with Belgian choreographer Stijn Celis), and with Shen Wei Dance Arts. As an instructor, he has taught classes to BareBones, BODYTRAFFIC, Shen Wei Dance Arts and has instructed master classes around the world to professional dancers and university students alike. Andrew began working with SWDA in 2007.


James Healey
— A native of Grants Pass, OR, James holds a BA from the University of Nevada–Las Vegas. He has performed at the Luxor Hotel and Casino on the Las Vegas Strip and with Malashock Dance in San Diego. James was a founding member of SWDA in 2000 and served as the company’s Rehearsal Director until 2008. Currently, James is a teacher, choreographer, and dancer, primarily working with high school students. He continues to perform in special engagements with SWDA.
Kate Jewett
— Born in Quincy, MA, and raised in Sardinia, OH, Kate holds a BFA from the North Carolina School of the Arts. She has worked with the Merce Cunningham Repertory Understudy Group and joined SWDA in 2005. As a member and teaching artist, she has conducted master classes and performed throughout Europe, Asia, Australia, and the U.S. Kate's work as a choreographer has been performed at DeSales University and the Bushwick Starr. In 2008, Kate became the Education Director of SWDA and went on to expand upon the organization's dance curricula and lead teaching initiatives to students in New York City schools. Kate has served as Rehearsal Director for SWDA since 2009.



Cynthia Koppe
— Born in Singapore, Cynthia graduated from Cornell University with a double major in Dance and Sociology. She has had the pleasure of working with Yve Laris Cohen, Liz Santoro, Ellis Wood, and Bill Young, amongst others, and was a “re-performer” for Marina Abramovic’s 2010 MoMA retrospective "The Artist is Present." She has danced with SWDA since 2009, and teaches Pilates, yoga, and bodywork.


Sara Procopio
— Originally from Syracuse, NY, Sara began her dance training at the Center for Ballet and Dance Arts and holds both a BA and MALS degree from Hollins University. In addition to her work as a performer and as Artistic Associate with Shen Wei Dance Arts, Sara also travels throughout the U.S. and abroad conducting master classes and workshops as an independent teaching artist, as well as for the company. Recent teaching engagements include Hollins University, Peridance Capezio Center, American Dance Festival, Marymount Manhattan College, The University of the Arts, P.S. 5, Park Avenue Armory, Dance New Amsterdam, and in Italy at the Paolo Grassi School of Milan. Sara became a founding member of Shen Wei Dance Arts in 2000.


Joan Wadopian
— A native of Asheville, NC, Joan holds a BFA from the Conservatory of Dance at SUNY Purchase. Joan has been dancing with SWDA since 2005. In Addition to performing, Joan is committed to teaching Anusara-Inspired Yoga, Pilates and movement based therapy classes to senior citizens.


Brandon Whited
— Born in Poughkeepsie, NY, Brandon began dancing at the age of ten after his family moved to North Carolina. He received both his HS diploma and BFA from the North Carolina School of the Arts under a brilliant and inspiring faculty. Since returning to his roots in New York, Brandon has danced professionally with Randy James Dance Works, Daniel Gwirtzman Dance Company, danscores by Ofelia Loret de Mola, and Steeledance (Teri and Oliver Steele). In addition to his work in contemporary dance, Brandon is pursuing a career in musical theatre choreography. He has choreographed numerous theatrical productions in North Carolina for the Cape Fear Regional Theater, and in NYC for the budding Purple Repertory Theatre Company. Brandon joined SWDA in 2008.

Portraits by Heidi Gutman

Artistic Collaborators

Layne Braunstein (Video and Animation Designer) is a co-Founder of Fake Love. He has previously designed for the premiere of Shen Wei’s Limited States at the American Dance Festival in 2011. Layne was contacted by Born Magazine to collaborate with published poet Zachary Schomburg. He created a motion piece for the poem Look Through a Complex Eye and See 1000 of Everything, which is currently on tour in Europe. Layne has recently received two Promax|BDA awards for broadcast design, has been featured in Promax Best of 2008, and received a Boston Ad Club’s Rosoff Award. He was also nominated for Best of Show at SXSW Interactive, holds an AIGA SEED Award for Best Flash Site, and his work is seen frequently in national and international design mags & sites. Layne was featured / interviewed on Voice America’s “Design Matters with Debbie Millman” –Bad Boys of Design Episode.

Daniel Burke (Composition) Daniel Burke is a musician, photographer, graphic designer and video artist. He has been making experimental music in the Chicago area since 1983. Burke was initially inspired to manipulate sound after experiencing the final performances of Throbbing Gristle in 1981, leading him to become a founding member of Illusion Of Safety. His work continues to develop through a need to explore a relationship with beauty, the nature of sound, and a desire to subvert structure. Sound is an interactive language between listener and performer, open to interpretation. It is a bridge between humanity and technology, music and noise. Drone, ambience, and rhythm are used to stimulate memory and evoke perceptions that cannot be communicated by language. Burke works with a panoply of instruments - such as a sampler, computer, synthesizer, field recordings, melodica, processing devices, guitar, and various small objects - in both improvisation and composition. He has collaborated with artists such as Jon Mueller, Randy Greif, Darin Gray, Zev, Cheer-Accident, Jim O’Rourke, Thomas Dimuzio, Kevin Drumm, and Jeff Jerman. Burke has released over thirty full length records between Illusion Of Safety and through collaborations with other various artists. Burke has performed over 350 concerts since 1992 across North America and Europe. Notable performances include No Fun 2005, the Wroclaw Industrial Music Festival 2009, and most recently, Sonic Circuits in 2010.

Rocco DiSanti (Projection Design) Rocco D’Santi is a New York City based projection and lighting designer. Broadway productions: Manhattan Theatre Club's productions of Time Stands Still (Video Editor) and Collected Stories (Projection Designer) by Donald Margulies. Off Broadway: Metamorphosis at the Atlantic Theatre Second Stage, A Second Chance by Ted Shen, Imelda for Pan Asian Rep, Inner Voices for Premieres and Primary Stages, Bright New Boise for Partial Comfort Productions, and many more. Awards include Finalist for the Robert L.B. Tobin Director-Designer Showcase and Hemsley Finalist.

Josh Horowitz (Video and Animation Designer) is a co-Founder and Creative Director of Fake Love, where he develops new media and experiential projects. Recently he has designed for Shen Wei’s Limited States which had its world premiere at the American Dance Festival in 2011. Josh has been fortunate to collaborate with a variety of musical artists and created an interactive video VJ set at Lollapalooza. Josh has also directed indie band music videos. His first video, ‘Novel’ won Video Of the Week on MTVU. Subsequent music videos won accolades from the BBC as well as debuting in the top 10. Josh’s educational background is in drawing, painting, and interactive, projection-based installations. He holds a Masters in Digital Animation and Design from NYU.

David Lang (Composition) One of America’s most performed and honored composers, David Lang received the Pulitzer Prize in Music for the little match girl passion, commissioned by Carnegie Hall and Perth Concert Hall for Paul Hillier and Theater of Voices. "With his winning of the Pulitzer Prize for the little match girl passion (one of the most original and moving scores of recent years), Lang, once a postminimalist enfant terrible, has solidified his standing as an American master." (New Yorker Magazine) Recent works include writing on water for the London Sinfonietta, with libretto and visuals by filmmaker Peter Greenaway; the difficulty of crossing a field – a fully staged opera for Kronos Quartet; loud love songs, a concerto for percussionist Evelyn Glennie, and the staged oratorio Shelter, with co-composers Michael Gordon and Julia Wolfe, at the Next Wave Festival at BAM, featuring the vocal ensemble Trio Mediaeval. He frequently collaborates with such choreographers as Shen Wei, Benjamin Millepied, Susan Marshall and Edouard Lock. The commercial recording of the little match girl passion, on Harmonia Mundi, won the 2010 Grammy Award for Best Small Ensemble Performance. Lang is co-founder and coartistic director of New York's legendary music festival, Bang on a Can.
Blair Neal (Associate Video and Animation Designer) is an artist working within multiple digital disciplines. A graduate of Rensselaer Polytechnic Institute's Electronic Arts MFA program, Blair’s work jumps between live visual performances, coding interactive projection pieces and traditional video making. His video works have been exhibited as part of the onedotzero festival and Pixilerations [v.5], among others. He has performed visuals/toured with Girl Talk, Phantogram and !!!. He was also involved in Pauline Oliveros' improvisational telepresence group Tintinnabulate for over a year. Previously, Blair and Fake Love coordinated the visuals and technology used for Shen Wei's Limited States, which premiered at ADF this past summer.

Austin Scarlett (Costume Designer) is a designer whose work spans the realms of theatre, fashion and pop culture. From 2006 to 2009, he served as the creative director of Kenneth Pool’s luxury bridal and evening wear collection for Amsale. Scarlett is popularly known for his designs and appearances on the television programs Project Runway and On the Road with Austin and Santino. Scarlett's love for theatrical performance has led him to costume design for David Parson’s Dance, The Aspen Santa Fe Ballet, and Greenwich Music Festival among others. Scarlett also enjoys supporting charitable causes, including The New York Public Library, Equity Fights AIDS, Live Out Loud, The Ali Forney Center, and City Opera. He lives in New York City.

So Percussion (Composers) Formed in 1999, and called an “experimental powerhouse” by the Village Voice, “astonishing and entrancing” by Billboard Magazine, and “brilliant” by the New York Times, the Brooklyn based quartet is comprised of Eric Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. Their music ranges from percussion classics (Steve Reich’s Drumming), to new commissions (David Lang’s the so called laws of nature). So Percussion has performed at the Lincoln Center Festival, Carnegie Hall, Stanford Lively Arts, the Cleveland Museum of Art, and many others and have recently toured to Russia, Australia, Italy, Spain, Germany, and the Ukraine. The members of So Percussion are co-directors of the percussion program at the Bard College Conservatory of Music as well as founders of the So Percussion Summer Institute, held annually at Princeton University.

Jennifer Tipton (Lighting Designer) is a graduate of Cornell University and works in theater, dance and opera. Her work in opera includes Gounod’s ROMEO ET JULIETTE and LA CLEMENZA DI TITO for the Festival in Aix-en-Provence, France. Her work in dance includes Alexei Ratmansky’s THE NUTCRACKER for American Ballet Theater and Paul Taylor’s THE UNCOMMITTED. In theater her work includes AUTUMN SONATA at Yale Repertory Theater and the Wooster Group’s version of Tennessee Williams’ VIEUX CARRE. Ms. Tipton teaches lighting at the Yale School of Drama. She received the Dorothy and Lillian Gish Prize in 2001, the Jerome Robbins Prize in 2003 and in April 2004 the Mayor’s Award for Arts and Culture in New York City. In 2008 she was made a United States Artists Gracie Fellow and a MacArthur “Genius” Fellow.

Lawson White (Sound Designer) has worked with The Metropolitan Opera, International Contemporary Ensemble, Steve Reich, David Lang, and filmmaker Jonathan Parker, among many others. His original music can be heard on recordings by So Percussion/Matmos, an upcoming recording by Roxy Vice, and on current TV commercials. Lawson has performed with Chromeo, Matmos, Zakir Hussain, the Nashville Symphony, the Rochester Philharmonic, and the Alabama Symphony. His publishing company, Good Child Music, handles publishing for many music artists, with a catalog ranging from experimental to country. Originally from Nashville, Lawson is the son of Nashville drummer and songwriter Wayne White. He has a BM in Music Performance and the Performer's Certificate from the Eastman School of Music, and an MM in Music Performance from Yale University.

Board of Directors & Advisory Council

BOARD OF DIRECTORS
Helen Y. Little, Chair
Shen Wei, President
David S. Brown, Secretary
Susan Kessler, Treasurer
Susan L. Baker
William M. Carey
Caroline Cronson
Mary Yung Kantor
Charles L. Reinhart
ADVISORY COUNCIL
Kenneth Foster
Stephanie French
Pieter Hofman
Norma Stevens
Patricia Pei Tang
Jennifer Tipton

Staff

STAFF

ARTISTIC STAFF
Shen Wei, Artistic Director
Kathleen Jewett, Rehearsal Director

ADMINISTRATIVE STAFF
Diane Rosenblatt, Interim Executive Director
Jessica O’Callahan, Office and Finance Manager
Megan Thornburg, Development and Administrative Associate

PRODUCTION STAFF
Matthew F. Lewandowski II, Director of Production (bio)
Stephen Xue, Company Manager and Assistant to the Artistic Director
Rocco DiSanti, Projections Director
Ellen Mezzera, Stage Manager


Legal consultancy:
Lawrence W. Greene, Esq., Cowan, Liebowitz & Latman, P.C.

Graphic design:
Sondra Graff, rpm:projects

Video Editing/ Technical Consultant:
Joshua Reaver
JoshuaReaver.com

Dancer health services:
Dr. Lilia Gorodinsky, NY Osteo, Osteopathy
WORLDWIDE TOUR REPRESENTATION

Exclusive Tour Representation: USA and Canada
Mr. Harold Norris, President
H-ART Management
481 Eighth Avenue, Suite 834
New York, NY 10001
TEL +1 212 868 2134
FAX +1 212 504 3229
EMAIL harold@h-artmanagement.com
URL www.h-artmanagement.com

Exclusive Tour Representation:
Central America, South America and Mexico

Ms. Maria Rita Stumpf, Presidente
Antares Promocoes
Avenida Graça Aranha, 19
Grupo 1.104 – Centro
Rio de Janeiro – RJ
20030-002
BRAZIL
TEL +55 51 9807 8457
EMAIL mariaritastumpf@gmail.com
URL http://antarespromocoes.com.br

Exclusive Tour Representation: Austria, Germany and Switzerland
Mr. Meinrad Huber, Co-Director
ecotopia dance productions
otto dix-weg 26
d-71679 Asperg
GERMANY
TEL +49 (0)71 41 9033 83/84
FAX +49 (0)71 41 9033 85
EMAIL meinrad.huber@ecotopiadance.com
URL http://ecotopiadance.com

Exlusive Tour Representation: Greece, Istanbul, Italy, Lebanon,
Portugal, Romania, Serbia, Slovenia, Spain and Turkey

Ms. Francesca Zitoli
A.T.E.R. (Associazione Teatrale Emilia Romagna)
Via Giardini, 466/G
I- 41124 Modena, Italy
TEL +39 059 340 221
FAX +39 059 342 802
EMAIL francesca.zitoli@ater.emr.it
URL http://ater.regione.emilia-romagna.it

Exclusive Tour Representation: United Kingdom and Israel
Ms. Gillian Newson, Owner
Dance Arts UK
TEL +44 20 7622 8549
FAX +44 77 6816 6381
EMAIL Gillian@gilliannewson.co.uk

Exclusive Tour Representation: The Netherlands
Mr. Jaap van Baasbank
Van Baasbank & Baggerman
Keizersgracht 258, NL-1016 EV Amsterdam, The Netherlands
TEL +31 20 624 26 31
FAX +31 20 622 78 50
EMAIL Jaap@baasbank-baggerman.nl
URL www.baasbank-baggerman.nl

For all other touring markets worldwide; to inquire about charitable giving opportunities; or for general inquiries:
Diane Rosenblatt, Interim Executive Director
Shen Wei Dance Arts
135 West 29th Street, Suite 1100
New York, NY 10001
TEL +1 212 962-1113
FAX +1 212 962-1313
EMAIL Diane@shenweidancearts.org

Internship Program

Shen Wei Dance Arts is an internationally renowned contemporary dance that creates original interdisciplinary and cross-cultural works. The company is currently seeking independent and creative undergraduate or graduate students for year-round internships. Each of the four internships offers an inside look into the day-to-day operations of a multifaceted, fast-paced arts organization.

The company offers the following internships:

— Development Internship
— Marketing Internship
— Digital Editing & Archival Internship

Intern projects will vary depending on the intern’s area of interest. However, all interns will be exposed to the daily functions of running a dance company through assisting staff in marketing and fundraising efforts, data entry and upkeep and office management. Because of the company’s open office space, interns are exposed to many facets of dance company management.

Intern candidates should be energetic, eager to learn, and have a self-starter attitude. Some general qualifications include proficiency in Microsoft Office and internet research. Candidates should have excellent professional, interpersonal, and organizational skills and must be able to manage many tasks at once.

All internships are unpaid but may be taken for academic credit, and are designed with each intern’s professional development in mind. Interns should expect to work a minimum of 20 hours per week from the SWDA office, located at 135 West 29th Street in Manhattan. Scheduling is typically flexible within the company’s office hours, Monday through Friday, 10 a.m. to 6 p.m. For interested interns with a dance background, free access is offered to SWDA open technique classes.

Interested candidates: Please email your resume along with a cover letter to Megan Thornburg, Internship Program Manager, at megan@shenweidancearts.org; no phone inquiries please. Indicate in the subject line of your email the name of the internship you are interested in and explain the reasons for your choice in your cover letter or email. All applicants will be notified within five business days that their internship application has been received. While Shen Wei Dance Arts makes its best effort to interview all intern applicants, this is not always possible, in which case your resume and cover letter will be kept on file for future consideration.